Corel aftershot pro 4

Corel aftershot pro 4

corel aftershot pro 4

Buy Corel PaintShop Pro with AfterShot Pro 3 - Photo & Design with fast Up to 4 x faster than Lightroom' claim based on a batch export workflow. Corel AfterShot Pro is a commercial and proprietary raw image processing software by Corel. It is based on Bibble, which Corel acquired. Update 1 is now available for Corel PaintShop Pro This update includes. SmugMug integration; Crop tool enhancements; Screenshot fixes and many more. Cookies


Corel AfterShot Pro 3 Review

aftershot pro review

AfterShot Pro 3

Thomas Boldt

Effectiveness: Most tools are excellent except localized edits
Price: Extremely affordable and provides good value for money
Ease of Use: Overall easy to use with a few small UI issues
Support: Excellent support from Corel but limited within the program


Corel AfterShot Pro 3 is an excellent RAW image editor that provides a fast, compact workflow. It has solid library management tools, excellent developing options, and a flexible plugin/add-on system.

The software is aimed at professional photographers, but may not be quite ready to fulfill that role properly thanks to certain issues with the corel aftershot pro 4 it handles localized editing. For those who are already using a standalone editor such as Photoshop or PaintShop Pro in their workflow, this is a minor issue that shouldn’t prevent you from making good use of AfterShot Pro’s compact single-screen workflow and fast batch editing.

What I Like: Compact Single-Screen Workflow. Fast Batch Editing. Widescreen UI Design. No Catalog Imports Required.

What I Don&#;t Like: No In-Program Tutorial. Small UI Issues. Localized Editing Process Needs Work. Preset Packs Are Expensive.

What is AfterShot Pro used for?

It is a complete RAW editing workflow program available for Windows, Mac, and Linux, allowing you to develop, edit and export your RAW images. It is aimed at the professional market, as you might guess from the name, but it is still struggling to challenge Adobe Lightroom as the most commonly-used RAW editor.

No, AfterShot Pro 3 is not free software, but there is an unlimited day free trial available from the Corel website. After that time is expired, you can purchase the full version of the software for a very affordable $, although as of this writing Corel is featuring a 20% off sale, bringing the price down to just $ This makes it one of the most affordable standalone RAW editors on the market by a significant margin.

Where to find AfterShot Pro tutorials?

Many of the features of AfterShot Pro 3 will be familiar to users of other RAW editing programs, but in case you need a little bit of guidance, there is some tutorial information available online.

Table of Contents

Is Corel AfterShot Pro Better Than Adobe Lightroom?

AfterShot Pro is Corel’s direct challenge to Adobe Lightroom’s dominance of the RAW editing market, and they aren’t ashamed to admit it. Front and center on the AfterShot Pro website is a claim that the latest version handles batch editing up to 4 times faster than Lightroom, and you can read the datasheet they published here (PDF).

One of the corel aftershot pro 4 interesting differences between Lightroom and AfterShot Pro is the way they render the same RAW images. Lightroom uses the Adobe Camera RAW (ACR) algorithm to render images, which often come out with narrower tonal ranges and slightly washed-out colors. AfterShot Pro uses its own proprietary algorithm to render RAW images, and it almost always produces better results than ACR.

While seems to be faster, there are still some issues that Corel will have to overcome to properly challenge Lightroom. Speedy batching is great, but AfterShot’s clumsy corel aftershot pro 4 editing corel aftershot pro 4 a long way to go to catch up to Lightroom’s excellent local options. If you’re not interested in doing localized edits, though, AfterShot’s compact one-screen workflow and better initial rendering might be able to convince you to switch programs. The best way to find out is to read this review and then test it for yourself!

Why Trust Me for This Review

Hi, my name is Thomas Boldt, and I&#;ve been working with image editing software for over 15 years. I trained as a graphic designer while teaching myself photography at the same time, eventually working as a product photographer shooting everything from jewelry to artistic furniture.

Over the course of my photographic practice, I&#;ve experimented with a number of different workflows and image editors, giving me a wide range of insight into just what can be expected from a top-notch program. My training as a graphic designer also included courses on user interface design, which helps me sort the good programs from the bad.

Disclaimer: Corel provided me with no compensation or free software in exchange for this review, nor have they had any kind of editorial review or input on the content.

A Closer Review of Corel AfterShot Pro 3

AfterShot Pro 3 is a large program, with a number of different features that we don&#;t have time or space to go into. Instead, we&#;ll look at the most common uses of the program, as well as anything that makes it stand out from the other RAW editors on the market. Please also note that the screenshots below are taken from the Windows version, so if you&#;re using AfterShot Pro for Mac or Linux the interface will look slightly different.

General Interface & Workflow

Corel managed the download and installation process very carefully, so I was a bit surprised to be dropped into the deep end when it came to actually using the software. As you can see below, the interface is a bit busy and there is no introduction or tutorial splash screen to provide any guidance.

You can visit the AfterShot Pro learning center through the Help menu, though, and their videos were able to provide some of the basic information about using the program. It&#;s worth noting that the main introduction video appears to be slightly out of date at the time of this writing, showing some minor UI changes compared to the version I&#;m using.

​Once you start to get used to the interface, you can see that it&#;s actually rather well-designed in a style that takes advantage of the extra horizontal width of widescreen monitors. Instead of placing the filmstrip navigation below the main working window, it runs vertically down the left side of the preview window. This means that you&#;ll get larger previews of your full-size images without having to constantly show or hide aspects of the interface (although you still corel aftershot pro 4, if you want to).

Another interesting choice is that Corel has decided to buck the trend of following Lightroom&#;s module layout system, instead choosing to keep every tool and feature in a single main interface. This is part of the reason that the UI seems a bit cluttered at first, but it definitely has its advantages when it comes to speed and consistency.

The aspect of the UI that I found most confusing initially was the vertical text navigation at the extreme edges of the window. On the left, they allow you to navigate between Library and File System views of your images, while on the right you can navigate through the different editing types: Standard, Color, corel aftershot pro 4, Tone, Detail. You can also quickly download new camera profiles to match your specific camera equipment, if they&#;re recent enough not to be included in the default installation, apply watermarks, or work with additional plugins. The vertical text navigation is a bit corel aftershot pro 4 to read at first, but once you get used to it, you realize it conserves a lot of screen space without compromising usability too much.

Library Management

​One of the biggest workflow advantages to AfterShot Pro 3 is that you don&#;t have to maintain a catalog of imported photos &#; instead, you can choose to work directly with your existing folder structure. Since I already organized all my photos in folders by date, this is extremely helpful to me and saves some importing time. You can create image catalogs if you prefer, but it&#;s generally faster not to unless your folder structure is a mess (we&#;ve all been there at one point). The main advantage of using catalogs is that you can search and sort your library by metadata instead of just a basic folder structure, but the trade-off is the time it takes to import.

Otherwise, the library management tools are quite excellent and will be immediately familiar to anyone who has worked with Lightroom in the past. Color tagging, star ratings and pick/reject flags are all available to help you sort through larger collections at once, whether you&#;re using catalogs or folders. The only thing that feels slightly inconsistent is that the metadata editor is included as a tab on the right navigation among the editing controls when it might be better off on the left navigation with the library tools.

Basic Editing

Most of the editing features found in AfterShot Pro 3 are excellent. They are fairly standard options by this point, corel aftershot pro 4, but the adjustments are applied quickly. Automatic camera/lens correction worked smoothly and flawlessly without any help from me, which is a nice change compared to some of the other RAW editors I have reviewed recently.

There are two main automatic adjustment settings in AfterShot Pro, AutoLevel and Perfectly Clear. AutoLevel adjusts the tones of your image to make a certain percentage of the pixels pure black and a certain percentage pure white. By default the settings are far too strong, which gives an incredibly exaggerated contrast effect as you can see below. Of course, you probably won&#;t want to use automatic adjustments, but it would be nice to have a reliable option to do so.

Perfectly Clear is included as part of a licensing deal with Athentech, which also provided the Perfectly Clear Noise Removal tool found in the Detail tab. In theory, it optimizes lighting without clipping any shadow or highlight pixels, removes tints and adds a bit of sharpening/contrast. It does a better job with this tricky image, but still not quite right.

​I decided to give it a simpler image to work from to see how well it would handle it, and the final results were much better.

​While experimenting with the editing process, I encountered a few strange UI quirks. There is no way to quickly reset a single edit &#; to return the highlight range to its default setting of 25, for example, a setting you might forget. You have to either remember the default or reset every setting at once, which hardly makes for a streamlined workflow. Using the Undo command might seem the easiest way to overcome this, but I found that when using it with the Straighten edit, it actually took 2 or 3 repetitions of easeus data recovery wizard license code mac command to get back to zero. This may be due to how the sliders are programmed, I&#;m not entirely sure, but it&#;s a bit irritating.

You can also use the scroll wheel on your mouse to scroll through the whole editing panel on the right, but as soon as your cursor crosses over a slider, AfterShot then applies your scrolling action to the slider setting instead of the panel. This makes it a little too easy to accidentally adjust settings without meaning to.

Layer Editing

If you want to dig deeper into more localized edits, you&#;ll be using the layer manager to add, edit and delete adjustment layers. Accessed from the top toolbar, it allows you to create two types of layers: an adjustment layer, which allows you to create localized versions of any of the main editing options, and a heal/clone layer, which allows you to duplicate sections of an image. You can use various shapes to define the affected regions (the Corel version of masking), or you can use a freehand brush.

​For some completely inexplicable reason, you cannot use the brush tool to define a region on a heal/clone layer. Maybe I&#;m just conditioned from working with Photoshop, but I found this to be quite frustrating. Good cloning isn&#;t always the easiest thing to do, but it&#;s much more difficult when you&#;re limited to working with clumsy preset shapes.

Even when you&#;re working with a more typical adjustment layer, the default settings are slightly strange. Show Strokes is initially turned off, which makes it essentially impossible to tell exactly where you&#;re brushing at first glance. There&#;s also no option to create a gradient on adjustment layers, unless you&#;re willing and able to paint one yourself using feathered brushes.

This area of the program has some great potential, but it definitely needs a little more polishing before it&#;s ready to meet the standards set by the rest of the available features.

Preset Packs

One of the more unique features of the program 4k video downloader premium crack the ability to download and install various add-ons in corel aftershot pro 4 form of camera profiles, plugins and presets from within the interface itself using the Get More tab. The camera profiles themselves are all free, and almost all of the available plugins are free as well.

​The download and installation process was extremely fast, although it does require restarting the application to enable the new download. It might also be nice to have a little bit of a description to see what exactly &#;zChannelMixer64&#; does before downloading it, although some of them are a bit more obvious than others.

​The preset packs, which from what I can see are mostly glorified Instagram filters, are astonishingly expensive at $ or more per pack. That may not seem like much, but buying all of the preset packs would wind up actually being more expensive than the initial purchase price of the software itself. This makes me think that Corel is counting on them iobit start menu 8 activation code 2019 act as a continuing revenue stream, although I&#;m not sure who they think the target market is.

Reasons Behind My Review Ratings

Effectiveness: 4/5

Overall, AfterShot Pro 3 has excellent library organization and editing tools. The only thing that prevents me from giving it a 5 star rating is the clumsy localized editing tools, which definitely need some more polishing before they are ready to match the quality of the program&#;s other features.

Price: 5/5

AfterShot Pro 3 is one of the most affordable RAW image editors available today, and may even be the cheapest available. It provides a great balance of features considering its incredibly low price point, although it is only available as a standalone program that will require additional purchases in order to stay up to date with the latest version.

Ease of Use: /5

Once you get used to the interface, AfterShot Pro 3 is generally quite easy to use. Again, the localized editing tools become something of a frustration, but that&#;s the only element that corel aftershot pro 4 me from giving it a 5-star rating. Otherwise, the user interface is well-designed, compact and customizable, allowing you to use it the way that works best for you.

Support: 4/5

Corel has provided excellent tutorial support for their website, although there is an almost complete lack of support from any third party provider such as and no books available on Amazon. I didn&#;t run into a single bug while using the software during my testing, but if I had, it would have been relatively easy to get in touch with their support staff thanks to the online support portal.

AfterShot Pro Alternatives

  • Adobe Lightroom (Windows/Mac) is one of the most popular RAW editors on the market, and with good reason. It&#;s a solid program that is well-designed with a thoroughly tested user interface. Adobe Camera RAW, the algorithm that processes RAW image data, isn&#;t quite as nuanced as those found in other programs, but Adobe makes up for it with the rest of the program&#;s ease of use. Read our full Lightroom review here.
  • Capture One Pro (Windows/Mac) is arguably the most powerful and accurate RAW image editor out there. Aimed directly at the high-end professional market, it has excellent RAW rendering features, although it is definitely not the easiest program to learn. If you&#;re willing to put the time into learning it, however, it&#;s hard to beat in terms of technical quality.
  • DxO PhotoLab (Windows/Mac) is an excellent standalone editor, although it lacks many of the additional features found in AfterShot Pro such as library management. Instead, it focuses on extremely easy automatic corrections thanks to DxO&#;s massive library of lens testing data that allows it to perfectly correct optical distortions. It also features an industry-leading noise cancellation algorithm in its ELITE edition. Read our full PhotoLab review for more.

You can also read our detailed guides on the best photo editor for Windows and Mac for more options.


Corel AfterShot Pro 3 is an excellent program that is almost ready to make a takeover of the RAW editing market. It has great RAW rendering capabilities and solid non-destructive editing tools, although its layer-based editing definitely needs more work on the usability side of things.

If you&#;re already a Lightroom user, it&#;s definitely worth a look, especially if you do a lot of batch editing as part of your existing practice. If you&#;re working on a higher-end professional level, it probably won&#;t be able to convince you to change your software allegiance, but it&#;s definitely one to keep an eye on for future releases.

So, do you find this Aftershot Pro review helpful? Share your thoughts below.

Corel PaintShop Pro with AfterShot Pro 3 - OEM

Compatibility Import Formats Supported
AI, BMP, CAL, CALS, CGM, CLP, CUR, CUT, DCX, DIB, corel aftershot pro 4, EMF, EPS, corel aftershot pro 4, GIF, HDP, IFF, IMG, J2C, J2K, JIF, JP2, JPC, JPE, JPEG, JPG, JPS, JPX, MAC, MPO, MRW, MSP, PBM, PCD*, PCT, PCX, PDF, PGM, PIC, PICT, PNG, PNS, PPM, PS, PSD, PSP (PSP image files), RAS, RAW, RIF, RLE, SCT, SVG, SVGZ, TGA, TIF, UFO, WBM, WBMP, WDP, WEBP, WMF, WPG**

RAW file support for over camera models, including the following file extensions: 3FR, ARW, CR2, CRW, DCR, DNG, K25, KDC, NEF, NRW, ORF, PEF, RAF, RW2, SR2, SRF, X3F (Visit full model list)

Export Formats Supported
*Supported on bit version of PSP installations only.
**WPG (WordPerfect Vector only) is not supported on bit version. WordPerfect Bitmap is supported on bit version.

Brush Formats
- PaintShop Pro Brush (.pspbrush)
- Adobe Photoshop Brush (.abr)
- Jasc Brush (.jbr)

RAW Photo Editor

System Requirements

Please note: AfterShot Pro 3 is bit only.

  • Windows® 11, Windows® 10, Windows®Windows® 8, Windows® 7 with latest service pack (bit editions)
  • bit Intel or AMD processor (multi-core processor recommended)
  • 2 GB of RAM (4 GB recommended for HDR)
  • MB of available hard-disk space required
  • x resolution with bit color display ( x resolution with 24 bit or higher color display recommended). 16MB or more of dedicated VRAM required to use OpenCL Hardware Acceleration
  • Internet connection required for online help and program updates
  • mac OS®X or later (bit edition), including macOS
  • All Intel® Macs model are supported
  • 2 GB of RAM (4GB recommended for HDR)
  • MB of available hard-disk space required
  • x resolution with bit color display. 16MB or more of dedicated VRAM required to use OpenCL Hardware Acceleration
  • Internet connection required for online help and program updates
  • Fedora®19 or Ubuntu® or later (bit distributions)
  • bit Intel or AMD processor (multi-core processor recommended)
  • 2 GB of Corel aftershot pro 4 MB of available hard disk space required
  • x resolution with bit color
  • Internet connection required for online help and program updates
  • Dependencies: GlibKDE or GNOME recommended (full list of dependencies in RPM & DEB packages)
  • Enable desktop compositing and window manager (KDE, Gnome, and others) recommended
  • bit distributions require bit compatibility libraries (ialibs)
  • RAW file support from most leading camera manufacturers: ARW, CR2, CRW, DCR, DNG, MRW, NEF, NRW, ORF, PEF, RAW, RW2, RWL, SR2
  • Internet Explorer 11 or higher, or Microsoft Edge
  • Safari or higher

Cameras Supported

  • EOS: 10D, 20D, 30D, 40D, 50D, 60D, 70D, 77D/D, 80D, 1D, 1D Mark II, corel aftershot pro 4, 1D Mark IIn, 1D Mark III, 1D Mark IV, 1Ds, 1Ds Mark II, 1Ds Mark III, 1DX, 1DX Mark II, 5D, corel aftershot pro 4, 5DS, 5DS R, 5D Mark II, 5D Mark III, 5D Mark IV, 6D, 6D Mark ll, 7D, 7D Mark II, D(Kiss X7/Rebel SL1), D(Rebel SL2), D(Kiss Digital/Digital Rebel), D(Kiss Digital N/Digital Rebel XT), D(Kiss Digital X/Digital Rebel XTi), D(Kiss X2/Rebel XSi), D(Kiss X3/Rebel T1i), D(Kiss X4/Rebel T2i), D(Kiss X5/Rebel T3i), D(Kiss X6i/Rebel T4i), D(Kiss X7i/Rebel T5i), D(Kiss X8i/Rebel T6i), corel aftershot pro 4, D(D/Rebel T6s), D(Kiss X9i/Rebel T7i), D(Kiss F Digital/Rebel XS), D(Kiss X50/Rebel T3), D(Kiss X70/Rebel T5), D(Rebel T6), D(Rebel T7), D/T, D30, D60, M, M5, M6, M
  • Powershot: G1 X, G5 X, G1 X Mark II, G10, G11, G12, G2, G3, G5, corel aftershot pro 4, G6, G7 X, G7 X II, G9, G15, G16, S, S, S40, S45, S50, S60, S70, S90, S95, S, Pro1, SX1, SX50 HS, SX60
  • Canon sRAW and mRAW formats
  • FinePix HS50EXR, FinePix FEXR, Finepix SL, S1, X-A1, X-A2, X, X-T1, X-T2, X-E1, X-E2, X-E2S, X-E4, X-PRO1, X-PRO2, X-M1, XS, XT, XF, X10, X20, X30, XQ1, XQ2, X-S1, X-T10, X-T20, X70, X-T3, X-T30
  • DCS: Pro 14n, Pro 14nx, Pro SLR/c, Pro SLR/n, ProBack
  • DIGILUX 3, V-LUX 1, V-LUX 2, V-LUX 3, D-LUX 2, D-LUX 3, D-LUX 4, D-LUX 5, C-LUX, M (TYP ), M8, M9, M10 Monochrome, Monochrome, X1, X2, Digital MODUL-R8, Digital MODUL-R9, T, T (TYP ), X2, X Vario (TYP ), Q (TYP ), Q2 Monochrom, SL (TYP ), SL2-S
  • DiMAGE: 7, 7i, 7Hi, A1, A2, A, corel aftershot pro 4, MAXXUM: 5D, corel aftershot pro 4, 7D, DYNAX: 5D, 7D, ALPHA-5 DIGITAL, ALPHA SWEET DIGITAL, Alpha-7 Digital
  • D2, D4, D4S, D40, D40x, D50, D60, D70, D70s, D80, D90, D, D, D, Ds, D, D, D, D, D, D, De, D, D, corel aftershot pro 4, D3s, D3x, D3, D2x, D2h, D2xs, D2hs, D1, Corel aftershot pro 4, D1x, D5, DF, D, D, D, D, D, D, D, D, D, D, D, D, D, D, D, D, 1 AW1, 1 J1, 1 J2, 1 J3, 1 J4, 1 S1, 1 V1, 1 V2, corel aftershot pro 4, 1 V3, P, P, COOLPIX P, P, P, COOLPIX P, Z fc, Z6, Z7, Z7 II
  • AIR A, E-1, E-3, E-5, E, E, EN, EP, E, E, E, E, E, E, E, E, E, E, E, E, E-M1, E-M1 Mark II, E-M5 Mark II, E-M10, E-M10 Mark II, E-M10 Mark III, E-M10 Mark IV, E-P1, E-P2, E-P3, E-P5, E-P7, E-PL1, E-PL1s, E-PL2, E-PL3, E-PL5, E-PL6, E-PM1, E-PM2, E-PL7, Cz, Cwz, Cwz, corel aftershot pro 4, Cwz, OM-D E-M5, PEN-F, SP, SP, SP, SP, SPuz, SPuz, SPuz, STYLUS1, Stylus TG-4 Tough, XZ-1, XZ-2, XZ, TG-5
  • DMC-LX10, DMC-LX15, DMC-LX9, DMC-GH4, DMC-G8, DMC-G81, DMC-G9, Corel aftershot pro 4, FZFZ, FZ, FZ, FZ, FZ, FZ, FZ18, FZ28, FZ30, FZ35, FZ38, FZ40, FZ45, FZ50, FZ8, G1, G2, G3, G5, G6, G10, GF1, GF2, GF3, GF5, GF6, GF7, GH1, GH2, GH3, GH5, corel aftershot pro 4, GM1, GM5, GX1, corel aftershot pro 4, GX7, L1, L10, LF1, LX, LX1, LX2, LX3, LX5, LX7, TZ60, ZS40, Lumix DMC-G7, Lumix DMC-TZ/ZS, Lumix TZ/ZS, Lumix GX9, DC-G, DC-G, DC-GX, DC-GX, DC-S5
  • KD, KD Super, K10D, KD, corel aftershot pro 4, K20D, KD, K, *ist D, *ist DL, *IST DL2, corel aftershot pro 4, *ist DS, *ist DS2, K, K-1, K-1 Mark II, K-3, K-3 II, K-3 III, K-5, K-5 II, K-5 IIs, K, K, K-7, K, K, K-m, K-r, K-x, K-S1, K-S2, KP, MX-1, Q, Q7, Q10, corel aftershot pro 4, D, Z
  • GX, GX, GX-1L, GX-1S, NX10, NX11, NX30, NX, NX, NX, NX5
  • SLT: A33, A35, A37, A55, A55V, A57, A58, A65, A65V, A68, A77, A77V, A77 II(ILCA II), A99, A99V
  • Alpha: A, A, A, A, A, A, A, A, A, A, A, A(ILCE), A(ILCE), A, A, A, A, A, A, A, A, A, A (ILCE), Alpha A (ILCE), A7(ILCE-7), A7R (ILCE-7R), corel aftershot pro 4, A7 II(ILCE-7 II), A7R II(ILCE-7R II), A7S(ILCE-7S), A7S II, A7 III(ILCE-7 III), A7R III, A7R Corel aftershot pro 4, A1, A9, A7C, A7RIII(a), A7RIV(a) QX1
  • Cybershot: DSC-M2, DSC-R1, DSC-RX1R-II, DSC-RX1, DSC-RX1R, DSC-RX10, DSC-RX10 II, DSC-RX10 III, DSC-RX, DSC-RX II, DSC-RX III, DSC-RX IIII, Corel aftershot pro 4 V, DSC-RX VI, NEX-3, NEX-3N, NEX-5, NEX-5N, NEX-5R, corel aftershot pro 4, NEX-5T, NEX-6, Templatetoaster 8 patch, NEX-A7S, NEX-C3, NEX-F3, SLT-A02, ZV-E10

What is Corel AfterShot Pro?

Corel AfterShot Pro is a fast, flexible workflow application for digital photos, including RAW formats, JPEG, and TIFF. Corel AfterShot Pro is designed to help you organize, optimize, and output your photos. You can work with individual photos or tap into powerful and flexible multi-image processing options that let you adjust and output your photos so you can print them or share them via email or the Web. Corel Corel aftershot pro 4 Pro is completely non-destructive; your original image files are always safe. You can use Corel AfterShot Pro on its own, or with your favorite image editing software.

What's in this user guide?

This user guide includes basic information to help corel aftershot pro 4 get started quickly. It includes a quick start section as well as some background information that will help you understand how the application works and what you can do with it. This user guide is meant to accompany the full information set that is available in the Help that is accessible from within the application. For a full list of learning resources, from the menu bar choose Help > Learning Center.

How is Corel AfterShot Pro different from other image-editing software?

There are a few things that set Corel AfterShot Pro apart from traditional image-editing software. Let's take a look at these differences.


Traditional image-editor

Corel AfterShot Pro

Open files that you want to edit

File > Open File, corel aftershot pro 4, open one or more files.

As a workflow application, you tend to work with folders, so click the File System tab, and click a folder. You can then right-click to import the folder to the Library or click a thumbnail and start editing.

Edit files

Start editing each open file, when finished, the editing information is saved to the file.

Start editing, creating one or more looks (versions) for each photo. The edits are saved automatically to a sidecar file (XMP) so that your original file is never affected. You can really experiment, even between editing sessions.

Save the files

File > Save File As, usually for each file that you want to output, save to the file format you want (such as JPEG). You either overwrite your existing file, or create a new file.

Select as many thumbnails (photos or looks) as you want, and to save out to corel aftershot pro 4 standard JPEG, press F. Want TIFF? Press T, corel aftershot pro 4. New files are created, your original file is never affected.

*Corel AfterShot Pro lets you output multiple files at one time, and offers a range of settings that let you customize your output.

What is photo workflow?

Photo workflow refers to all the activities that occur between the initial image capture and the final photo output. Photographers have very different workflows, depending on the volume of photos they take and what they do with the photos. Your workflow might be as simple as downloading images from your camera's memory card and printing them on a printer that is attached to your computer. A photo workflow might also include any of the following:

&#;organizational tasks, such as adding keywords and star ratings so you can search and sort your images
&#;editing and adjusting photos to correct, enhance, or creatively manipulate photos
&#;backing up and archiving photos
&#;sharing photos through email or on the Web
&#;printing photos in-house, through online printing services, service bureaus, or prepress facilities

Corel AfterShot Pro supports a wide range of workflow options and working styles to ensure that you can get the best quality from your photos in the least amount of time.


Photo workflow: 1. Transfer photos from your camera to your computer, 2. Import the photos into Corel AfterShot Pro, 3. Edit your photos, creating one or more versions, 4. Output a version to a JPEG or TIFF file.

Corel AfterShot Pro is organized into three workflow areas: Asset management, Image editing, andOutput generation.



Asset corel aftershot pro 4 lets you catalog your original digital photos as master files and view, add, browse and search photo metadata. As your photo library grows from hundreds to thousands of photos, maintaining a coherent, organized, searchable library becomes critical. Corel AfterShot Pro provides all the tools needed to catalog your current photographs, and makes it easy to add to your library.



Image editing lets you adjust and correct elements such as exposure, white balance, detail, and distortions. You can get creative with a variety of editing features that you can apply to an corel aftershot pro 4 photo or a selected area. For example, you can use selective editing to select one color area in your photo and apply a color to that area without affecting the rest of the photo.



Output generationlets you share the photos that you have worked on in Corel AfterShot Pro. Your photos can be output in a wide range of formats that you can print, email, or share on the Web. The powerful Batch Conversion feature lets you take advantage of multi-image processing.

© Corel Corporation

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